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Module 2-1 · Track 2 · INEMA.NCIA

Perception & value

Perception as interpretation, not fact: how you see yourself, how value arises in the eyes of the beholder, and the molds we inherit.

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What this module covers

  • How self-perception misleads us
  • Perception and the value it creates
  • Archetypes: the molds of behavior
Section 1 of 3·Self-perception

1.How self-perception misleads us

The image you have of your own competence rarely matches your actual competence. People who know little tend to think they’re very good; people who know a lot tend to doubt themselves. This mismatch between who we are and what we think that we are is studied in psychology, education, and people management — and there are some models that explain it.1

The best-known is the Dunning-Kruger effect: people with little knowledge in a field tend to overestimate their abilities, while the most competent underestimate their own level. The less someone knows, the more confident they may feel in a mistaken perception of mastery—and it is experience that brings awareness of limitations and complexity. A novice programmer may think they're a great programmer after learning a few basic concepts; an experienced programmer, even while mastering advanced techniques, feels there's still a lot to learn.

The flip side: when competence feels like fraud

A impostor syndrome is the opposite phenomenon. Highly qualified people feel they're not good enough, or that their success is due to luck rather than skill. They underestimate their own abilities and live with the fear of being “exposed.” A leader with years of experience may believe they're incapable of leading the team, attributing everything to circumstances. There's also the learning curve: as they explore a subject more deeply, experts see new variables and complexities, which increases their awareness of their own limitations and makes them more cautious in their conclusions.2

Stop and predict

The Dunning-Kruger effect and impostor syndrome seem like opposites. Which skill, if you developed it, would help correct both at the same time?

See a possible answer

A metacognition — the ability to assess your own knowledge. Those who develop it have a clearer view of what they know and what they don't: they recognize when they need help instead of thinking they have all the answers, and they also stop underestimating their actual competence. It's fine-tuning self-perception in both directions.

The piece that ties all this together is the metacognition: evaluating your own knowledge and skills. People with well-developed metacognition see their own abilities and limits realistically; those with weak metacognition tend to overestimate what they understand. A student with good metacognition recognizes when they don't know something and seeks help; without it, they believe they know everything without ever checking. These models are used all the time in education, training, and personal development—and the first step in any of them is to admit that your view of yourself may be wrong.

▸ Going deeper: why beginners don’t see their own limits optional

The core idea behind Dunning-Kruger is almost circular—and that’s why it’s so insidious. The same lack of knowledge that leads someone to make mistakes is what keeps them from notice who made a mistake. To evaluate whether an answer is correct, you need some of the knowledge you don't yet have; without it, the person who made the mistake can't see it.

That’s why a beginner’s confidence is genuine, not fake: they really don’t see what’s missing. And that’s also why the way out isn’t “having more self-confidence” or “having less,” but building the map—studying the field deeply enough to see your own place in it. Awareness of complexity comes with knowledge, never before it.

Section 2 of 3·Value

2.Perception and the value it creates

Identical activities can be perceived in opposite ways — and perception, not the facts, is what usually determines the experience. Someone standing still and looking out the window seems “antisocial”; put a cigarette in the same person's hand and they become a “pensive philosopher.” Nothing changed in the scene, only the framing. Reframing means turning a problem into an opportunity: unemployment becomes a “sabbatical year” without a single fact changing.

The feeling of choice and control matters more than objective reality. Retirees tend to be happier than unemployed young people, even with free time and little money — because they believe they have chosen that situation, while young people feel it was imposed on them. The experiment with the dogs in the box says the same thing: two dogs receive shocks, but the one with a button to stop them doesn’t become depressed. What changes isn’t the pain, but the control about her.3

Perceived value matters as much as actual value

The same R$ 20 mil in taxes causes frustration; donated to a hospital, it becomes philanthropy—and the number is identical. Economist Von Mises rejected the distinction between “real” value (what is produced) and “perceived” value (from marketing): at a restaurant, value lies as much in the clean surroundings as in the food. Perception even “spills over” into the body: a car seems to drive better after it's been washed, and brand-name painkillers relieve pain more than physically identical generics. That's why psychological solutions are often cheaper and more effective than technical ones—countdown displays in subway stations increased satisfaction without increase the frequency of the trains.4

Fig. 1 · The Same Fact, two framings — reading changes the value
The same fact R$ 20 mil · window · waiting framing A “problem” framing B “value”

Stop and predict

Your train trip takes 40 minutes longer than you'd like. You have two options: spend a fortune to shorten the trip, or invest much less in something else. Which would bring you more satisfaction?

See a possible answer

Almost always the second. Eurostar spent millions to reduce travel time, when onboard Wi-Fi — much cheaper — would have improved the experience and the perception of value. Reducing the perceived wait often beats reducing the actual wait.

Section 3 of 3·Archetypes

3.Archetypes: the molds of behavior

Archetypes are universal patterns of behavior, symbols, or images that, according to Carl Gustav Jung, reside in the collective unconscious. They represent characteristics, emotions, and experiences shared by all humanity— regardless of culture, era, or place—and appear in myths, dreams, religion, stories, and even brands. They’re patterns that help structure narratives and influence how we perceive the world and ourselves.5

Jung identified several, and some became famous. The Hero embodies courage and overcoming adversity (Hercules, Superman). The Shadow is the repressed side, where hidden fears and impulses live (Darth Vader, the villains). The Sage guides like a mentor (Yoda, Gandalf). The Innocent brings purity and optimism (Alice). The Rebel challenges the status quo (Robin Hood). The Ruler seeks control and stability; the Lover, passion and connection (Romeo and Juliet); and the Jester uses humor to challenge norms (the Joker).

From myth to brand

In marketing, archetypes help create an emotional connection between a brand and its consumers. Nike draws on the Hero (overcoming challenges, strength); Coca-Cola, the Innocent (happiness, nostalgia); Jeep, the Explorer (adventure, freedom); Dior and Chanel, the Lover (passion, beauty). In every case, the mechanism is the same: the archetype refers to a universal aspect of the human experience and connects people through shared emotions and stories—whether in your own story, a work of art, or a campaign.

▸ Going deeper: the Shadow as a mirror optional

Of all the archetypes, the Shadow is the one most closely tied to the self-perception in Section 1. It brings together what a person tries to hide—fears, desires, and repressed impulses. Recognizing it doesn't mean giving in to it; it means no longer being caught off guard by it.

That's why the most memorable villains work: they aren't the hero's opposite; they're what the hero could have become. The story becomes compelling when the viewer recognizes a piece of themselves in the character's Shadow. The archetype connects precisely because it speaks to something we all carry—and prefer not to look at.

❧ My journey

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